Darren gets the job of a lifetime when Hollywood comes knocking, and wants him to write a script based on the events of a traumatic experience he had. Like a fish out of water, Darren begins to spiral and disassociate much like his friend did years before.

Michael and Darren have a very successful true crime podcast. But when trying to get one of their biggest guests yet turns into a bizarre obsession for Michael, the lines between nightmare and reality begin to blur.

Follows the story of a family who loses everything to a prolific and elusive hacker, aptly named ‘The Chameleon.’ Parents Amy and Mark have $20,000 stolen, and their kids Ralph and Freddy get their entire digital lives hacked — social media, video game items, even their pointless online homework! When the bank, social media platforms, and law enforcement aren’t able to help, the family takes matters into their own hands.

Follows the story of a family who loses everything to a prolific and elusive hacker, aptly named ‘The Chameleon.’ Parents Amy and Mark have $20,000 stolen, and their kids Ralph and Freddy get their entire digital lives hacked — social media, video game items, even their pointless online homework! When the bank, social media platforms, and law enforcement aren’t able to help, the family takes matters into their own hands.

Synopsis: A single-shot, choreographed portrait of the Foley process, revealing multiple layers of fabrication and imposition. The circular camera path moves us inside and back out of a Foley stage in Burbank, CA. While portraying sound artists at work, typically invisible support mechanisms of filmmaking are exposed, as are, by extension and quotation, governmental violations of individual privacy. 　　The scene being foleyed is the final sequence from The Conversation where Gene Hackman's character Harry Caul tears apart his room searching for a 'bug' that he suspects has been covertly planted. The look of Caul's apartment as he tears it apart mirrors the visual chaos of the Foley stage. This mirroring is also evident in the dual portraits of sonic espionage expert Caul and Foley artist Gregg Barbanell, for whom professionalism is marked by an invisibility of craft. And in the doubling produced by Hackman's second appearance as a surveillance hack, twenty-four years later in Enemy of the State. 　　These filmic quotations ground Hacked Circuit, evoking paranoia, and a sense of conviction alongside a lack of certainty about what is visible. The complication of the seen, the known, the heard and the undetectable provides thematic parallels between the stagecraft of Foley and a pervasive climate of government surveillance. 　　*Foley is the art of reproducing sound effects for cinema in real time. Its purpose is to complement or reproduce sounds created on set at the time of filming (aka field recording). Most films use a combination of foley and field recording. While watching a film clip, the Foley artist produces incidental non-dialogue sounds in sync with the action, e.g. footsteps, keys dropping, fabric rustling, glass breaking, doors closing, etc. The work of a good Foley artist goes undetected by the audience.

Synopsis: A single-shot, choreographed portrait of the Foley process, revealing multiple layers of fabrication and imposition. The circular camera path moves us inside and back out of a Foley stage in Burbank, CA. While portraying sound artists at work, typically invisible support mechanisms of filmmaking are exposed, as are, by extension and quotation, governmental violations of individual privacy. 　　The scene being foleyed is the final sequence from The Conversation where Gene Hackman's character Harry Caul tears apart his room searching for a 'bug' that he suspects has been covertly planted. The look of Caul's apartment as he tears it apart mirrors the visual chaos of the Foley stage. This mirroring is also evident in the dual portraits of sonic espionage expert Caul and Foley artist Gregg Barbanell, for whom professionalism is marked by an invisibility of craft. And in the doubling produced by Hackman's second appearance as a surveillance hack, twenty-four years later in Enemy of the State. 　　These filmic quotations ground Hacked Circuit, evoking paranoia, and a sense of conviction alongside a lack of certainty about what is visible. The complication of the seen, the known, the heard and the undetectable provides thematic parallels between the stagecraft of Foley and a pervasive climate of government surveillance. 　　*Foley is the art of reproducing sound effects for cinema in real time. Its purpose is to complement or reproduce sounds created on set at the time of filming (aka field recording). Most films use a combination of foley and field recording. While watching a film clip, the Foley artist produces incidental non-dialogue sounds in sync with the action, e.g. footsteps, keys dropping, fabric rustling, glass breaking, doors closing, etc. The work of a good Foley artist goes undetected by the audience.

Based on true events: The Rumble family’s dream of buying their first home turns into a nightmare when Florida’s most elusive hacker, known only as The Chameleon, steals their life savings. But this hacker messed with the wrong family. The banking system failed them. The police won’t help. Furious and desperate, they plot a revenge-fueled takedown of the hacker, determined to make him pay for every life he’s destroyed. What started as a financial tragedy soon spirals into a fast-paced, darkly comedic adventure to reclaim their money—and their dignity. Revenge has never been this fun!

Based on true events: The Rumble family’s dream of buying their first home turns into a nightmare when Florida’s most elusive hacker, known only as The Chameleon, steals their life savings. But this hacker messed with the wrong family. The banking system failed them. The police won’t help. Furious and desperate, they plot a revenge-fueled takedown of the hacker, determined to make him pay for every life he’s destroyed. What started as a financial tragedy soon spirals into a fast-paced, darkly comedic adventure to reclaim their money—and their dignity. Revenge has never been this fun!

When the fun of double dating begins to grow old, Richard and Bettina share a dirty little secret with their friends Diego and Emilia: They live a double life as swingers, and would love to share this practice with them.

在一个下雨的夜晚，他梦见了疾病与死亡，梦见了母亲和火焰，梦见了树林和光......